Wednesday, August 4, 2010

PLEASE FEEL FREE TO COMMENT AND DISCUSS SELF PORTRAITS



In class, we talked about Lacan, Frued, and Hegel's (among others) concept of the Other. Here is a brief refresher of this "academic" term and theory--it will help with your reading and our reading discussion to apply this to your texts and to see how it is encouraging or deviating from the process of Othering.

The Other

The Other is an individual who is perceived by the group as not belonging, as being different in some fundamental way.

Othering is a way of defining and securing one’s own positive identity through the stigmatization of an "other." Whatever the markers of social differentiation that shape the meaning of "us" and "them," whether they are racial, geographic, ethnic, economic or ideological, there is always the danger that they will become the basis for a self-affirmation that depends upon the denigration of the other group. When a group claims to be "chosen by God," the danger multiplies, not only for the "unchosen" other who may be subjected to violence, but for the chosen group itself that is at risk of being undermined.

Otherness takes many forms. The Other may be someone who is of...
a different race (White vs. non-White),
a different nationality (Anglo Saxon vs. Italian),
a different religion (Protestant vs. Catholic or Christian vs. Jew),
a different social class (aristocrat vs. serf),
a different political ideology (capitalism vs. communism),
a different sexual orientation (heterosexual vs. homosexual),
a different origin (native born vs. immigrant).

When social, ethical, cultural, or literary critics use the term "The Other" they are thinking about the social and/or psychological ways in which one group excludes or marginalizes another group. By declaring someone "Other," persons tend to stress what makes them dissimilar from or opposite of another, and this carries over into the way they represent others, especially through stereotypical images. It also extends to political decisions and cultural practices. In the recent past of the United States, Anglo-Americans made African-Americans into cultural Others through the use of minstrel shows in blackface, popular figures like Sambo and Aunt Jemima, and separatist policies like the Jim Crow laws. Similar practices can be traced in practically (if not) every culture in the globe. The recent genocidal wars in Rwanda and the former Yugoslavia , as do the continued struggles in Ireland and Israel , remind us that Othering is an instrument of terror that results in multi-generational hatred and violence.

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